Wang Yanxin starts with the body and continuously explores the relationship between the body and others. In this ongoing exploration, he also incorporates concerns for reality and humanity. His exploration of body language and the definition of the site demonstrates a unique personal understanding, through which he strives to present a distinctive artistic language to the audience. First, there is the abandonment of language—sound in the work is no longer artificially produced, but rather emerges naturally. Second, there is a shift in space—from the white box or architectural space to public and natural spaces, completing the artist's transition from constructing the self to liberating the self. Third, there is a transformation from the use of the body to the exploitation of the body. The body is placed within the environment, expressing itself as a presence that raises questions. At the same time, Wang Yanxin continues to enrich the ways in which the individual body intervenes in space, including the visually poetic body, the body in social landscapes, and the body as something that is erased or concealed.

Wang Yanxin is an artist who is extremely sensitive to behavioral language and pays attention to the relationship between the thinking and action of the presence and the environment, field and history. What is important is that Wang Yanxin has his own way and method in this process, and his behavior often hides interaction and integration in an inappropriate place of confrontation and separation. Just like the wolf and explosive power are the impressions of most people on Yan Xin's works, but the warm and poetic tranquility after the wild moment is even more moving.