《低语》以上海嘉定为背景，展开一场关于死亡、创伤的仪式。废弃的空间宛如一座被时间遗忘的舞台，残败的木构与灰尘成为失落历史的见证。以受限的身体姿态进入其中，裹挟枯枝与红色飘带，在花群间舞动，被限制的动作在摇曳中显得断裂、迟滞，似乎被某种无形的力量所压制，身体挣扎、旋转、停顿，在火中舞蹈，让舞蹈成为“低语”的形态与被压抑的残响。

影像的叙事被刻意打断，并不试图重建失落的记忆，而是呈现被抹除、被遮蔽的声音。那些无法高声言说的片段，以身体的拘束、空间的错位，低声诉说等展现。

“ Whisper ” takes Jiading, Shanghai, as its site, unfolding a ritualaround death and trauma.The derelict architecture, with its decayedtimbers and layers of dust, becomes a stage forgotten by time—afragile witness to histories lost. Within this desolate frame, theartist’s constrained body enters: entwined with brittle branches and red ribbons, moving among clusters of flowers. Every gesture is broken, delayed, and weighed down, as if by an unseen pressure.The struggle, the turn, the pause—the dance itself ignites, becominga whisper, a repressed echo vibrating within silence.

Here, narrative is not continuity but interruption. Rather than restoring memory, the work foregrounds erasure and obscurity: voices suppressed, fragments that resist articulation. Through bodily constraint, spatial dislocation, and murmured undertones, the work insists on a poetics of what cannot be said.