1.  At dusk, standing on a cement floor painted with house patterns, a speaker plays the letters from M-E-M-O-R-Y in sequence. A porcelain plate with pomegranate seeds and the speaker are dragged along, and small daisy balloons are slowly handed out to some audience members.

2. Pouring water over oneself, staining the body red, devouring pomegranates prepared on a crystal plate, while simultaneously tossing them toward the audience.

3. Striking steel pipes violently to deform them, then throwing them on the ground to draw circles and bind them. Using charcoal powder to darken the eyes, I look from right to left, scanning the audience.

4. Removing the blood-colored clothing, fiercely striking the lines of house drawings on the ground until the traces blur and disappear, then hanging up the clothes.

5. Lighting a row of doll candles on my left arm and handing them to the audience. Using a flame gun to burst balloons on the circular wall columns, leaving small white flowers.

6. Using a noisy blower to blow the clothes into the air, letting them flutter. Meanwhile, the speaker on the ground continues to play the letters from M-E-M-O-R-Y in sequence.

7. Hanging another speaker in the air, turning off the one on the ground. The sound of a violin playing “Ah, Farewell, My Friend” fills the space. With the music, I dance holding a burning violin.

Note: This performance addresses violence, lost memories, the passing of life, and the confusion of the present, dedicated to those who have been displaced.